Austrian pianist Till Fellner’s international career was launched in 1993 when he won First Prize at the renowned Clara Haskil Competition in Vevey, Switzerland. Over a period of more than two
decades, he has become a sought-after guest with many of the world’s most important orchestras and at the major music centres of Europe, USA and Japan, as well as numerous festivals.
During the 2017-18 season Till Fellner will debut with the New York Philharmonic Orchestra under the baton of Christoph Eschenbach. Other highlights will include concerts with the Chicago Symphony Orchestra, Le Concert Olympique, Mozarteumorchester Salzburg, and Rotterdam Philharmonic Orchestra.
Last season Till Fellner amongst others performed with the Symphony Orchestras from Pittsburgh, St. Louis, Montreal, Vienna, with the Deutsches Sinfonie-Orchester Berlin, and the Philharmonia Orchestra London.
Till Fellner has collaborated with Claudio Abbado, Vladimir Ashkenazy, Herbert Blomstedt, Semyon Bychkov, Christoph von Dohnányi, Nikolaus Harnoncourt, Sir Charles Mackerras, Kurt Masur, Kent Nagano, Jonathan Nott, Kirill Petrenko, Claudius Traunfellner, and Hans Zender, among many others.
In the field of chamber music Till Fellner regularly collaborates with British tenor Mark Padmore, with whom he premiered a composition by Hans Zender in 2016 and with whom he toured Japan in February 2017. This collaboration will be continued in 2017-18 (amongst others with Lieder recitals in Vienna and Salzburg). Further he regularly performs with the Belcea Quartet.
Over the past few years he has dedicated himself to two milestones of the piano repertoire: The Well-Tempered Clavier of Johann Sebastian Bach and the 32 piano sonatas of Ludwig van Beethoven. He performed the Beethoven cycle from 2008 to 2010 in New York, Washington, Tokyo, London, Paris and Vienna. Furthermore, contemporary music is of great importance to him; he has given the world premieres of works by Kit Armstrong, Harrison Birtwistle, Thomas Larcher, Alexander Stankovski and Hans Zender. From 2017-18 onwards – and stretching over two seasons – Till Fellner will present an all Schubert cycle (four concerts in total) which will be presented at the Schubertiade Festival, in Antwerp, Tokyo and Taipei and other cities.
The ECM label, for whom Till Fellner is an exclusive recording artist, has released the First Book of the Well-Tempered Clavier and the Two & Three-Part Inventions of J. S. Bach, Beethoven’s Piano Concertos Nos. 4 & 5 with the Montreal Symphony Orchestra and Kent Nagano and, most recently, a CD of chamber music by Harrison Birtwistle. In autumn 2016 Alpha Classics released the recording of the piano quintet by J. Brahms with the Belcea Quartet, this recording received the “Diapason d’Or de l’Annee”.
In his native Vienna, Till Fellner studied with Helene Sedo-Stadler before going on to study privately with Alfred Brendel, Meira Farkas, Oleg Maisenberg, and Claus-Christian Schuster.
Since autumn 2013, Till Fellner teaches at the Zurich Hochschule der Künste.